Sabbannu Phaya (သဗ္ဗညုဘုရား)
Burmese-Pali
name for
a just over 60 meter high Buddhist temple in
Pagan, i.e.
the tallest of all
‘temples’ in this ancient kingdom,
though it is dwarfed by some of the larger
stupas,
such as as
Shwesandaw Phaya (fig.),
which is one of the tallest
‘pagodas’
in this former
capital.
The designation is a compound of the Pali word
sabbannu,
which means
‘omniscient’, and the Burmese
term
Phaya,
which can be translated as
‘Buddha’
or ‘Buddha image’,
but also as ‘stupa’
or ‘pagoda’.
It is also commonly referred to as Thatbyinnyu Phaya (fig.),
a Burmese equivalent of the Burmese-Pali name, which is short for
Thatbyinnyutanyan Phaya and may be translated as
the ‘pagoda
(or god) of thorough
knowledge
and wide view’.
It was built in the 12th century by King
Alaungsithu (fig.).
Its architectural style is usually described as transitional, i.e. between early
style edifices, such as
Ananda Phaya (fig.)
which dates from
1105 AD,
and late style structures, such as
that of
Gawdawpalin Phaya
(fig.), of which construction began during the reign of King
Narapati Sithu, who reigned from 1174 to 1211 AD, and was completed in 1227 AD,
during the reign of King
Htilominlo.
It is one of the earliest double-storey
temples, yet with the arrangement that differs from from that of later
double-storey temples, as if it were a try-out for the new form found in later
structures. Three receding terraces, each adorned
with crenellated parapets and corner stupas, rise above each storey. At the top
is a curvilinear
sikhara-like tower (fig.),
surmounted by a slim, tapering spire. Though essentially
in
the
jaturamuk
style, i.e. with four entrances, one for each point of the compass, the eastern portico projects further than
the others, breaking the symmetry, a style that is copied in later
temples, such as
Sulamani Phaya
(fig.) and Gawdawpalin. Whereas the
southern, western and northern entrances each have
a large,
seated
Buddha image,
the
eastern portico has a central stairway,
flanked by two standing sentinels,
that leads to an intermediate storey where an
ambulatory forms a continuous passage
way around the centre of the building, while
two levels of windows provide the interior of light and a breeze of air. Two
stairways built into the thick walls provide access to the terrace over the
eastern portico, from where an external flight of stairs leads to the upper
storey, where a huge
Buddha image
is seated on a masonry throne. A further narrow staircase built into the thick
walls leads to the terraces on the upper storey, which offers great panoramic
views of the area. To the northeast of Sabbannu Phaya is a small so-called tally
temple, i.e. a structure built with bricks set aside from the main temple. To
keep count of the number of bricks used in the construction of Sabbannu Phaya,
one brick was set aside for every 10,000 bricks used, and the tally temple was
built with the bricks set aside for this (map
-
fig.).
See MAP.
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